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In questi anni abbiamo corso così velocemente che dobbiamo ora fermarci perché la nostra anima possa raggiungerci. (Michael Ende) ---- A chi può procedere malgrado gli enigmi, si apre una via. Sottomettiti agli enigmi e a ciò che è assolutamente incomprensibile. Ci sono ponti da capogiro. Sospesi su abissi di perenne profondità. Ma tu segui gli enigmi. (Carl Gustav Jung)

...in altre lingue...

...in inglese....

...in altre lingue...

LA FOTO DELLA SETTIMANA a cura di NICOLA D'ALESSIO

LA FOTO DELLA SETTIMANA  a cura di NICOLA D'ALESSIO
LA FOTO DELLA SETTIMANA a cura di NICOLA D'ALESSIO:QUANDO LA BANDA PASSAVA...
Questo blog non ha finalità commerciali. I video, le immagini e i contenuti sono in alcuni casi tratti dalla Rete e pertanto sono presuntivamente ritenuti pubblici, pur restando di proprietà del rispettivo autore. In ogni caso, se qualcuno ritenesse violato un proprio diritto, è pregato di segnalarlo a questo indirizzo : rapacro@virgilio.it Si provvederà all’immediata rimozione del contenuto in questione. RR
BENVENUTO! - Il Blog si occupa di Arte, Spiritualità, Creatività e Religione

287. THE UNSUNG SAINTS OF GUN ART da un'Americana a Venezia

Un modo per esorcizzare il potere sinistro di oggetti di morte può essere quello di convertirli in parti di opere frutto di una originale creatività, che riesce  a trasformare il fastidio per un arnese letale nel piacere della sua metamorfosi. RR




 What do Esther and Michael Augsburger, Sasha Constable, Lin Evola-Smidt, Al Farrow, César Lopez, Jessica Mindich, Kester, Hilario Nhatugueja, Fiel dos Santos, Adelim Serafim Maté, Pedro Reyes, Byron Zarrabi, and Victor Hugo Zayas all hae in common?  They have all taken on the world of weapons by turning decommissioned firearms, bullet shells, rockets, land mines and even nuclear bomb casings into art, musical instruments, and useful items.  Creators with strong stomachs, they consciously transform used objects of violence into often beautiful monuments, sculptures, instruments, jewelry, "thrones," and even 1,527 shovels (Pedro Reyes) made from 1,527 handguns to plant 1,527 trees worldwide.  Everybody knows that firearms are big business, along with bombs and bombers.  Speaking for my own country, all I can say is that when the founding fathers gave American colonialists the right to keep and bear arms, in order to prevent the likes of the 1700's Redcoats from bullying them ever again, surely they did not envision gang wars and madmen with machine guns, not to mention rocket launchers and nukes.  Many places on the planet are overrun with weapons left over from wars.  Parts of the world, thinking especially of Mexico and Colombia, have become the Wild West thanks to drug cartels.  Most people will admit that there are too many guns in circulation, but guns continue to be glorified by the entertainment industry, and they are forever defended by business interests and cynics.  Where does change begin?  The above named artists, along with mayors, police chiefs, and sometimes, too, religious and cultural organizations, have been working to make a dent.  "Buy back" programs permit gun holders to get rid of their weapons in exchange for cash, coupons, and household appliances.  Recently, in Newark, NJ, Mayor Cory Booker and designer Jessica Mindich worked together to make The Caliber Collection possible, sleek steel and brass bracelets and cufflinks fashioned from locally confiscated guns and shell casings.  Booker calls the popular jewelry "an instrument of peace."  A Catholic bishop in Mozambique convinced people there to turn in their civil war guns, saying, "Having a gun in your house is just like having a poisonous snake in your house."  Four artists then fashioned the beautiful "Tree of Life" out of the guns that were surrendered in exchange for useful items.  Since 1997, Lin Evola-Smidt of New York has been turning all manner of death-related metal into monumental Peace Angels.  She says, "I think that war is the opposite of creativity."  She also reminds us that only 800,000 weapons are destroyed every year as opposed to the 8,000,000 produced.  A 10-meter Peace Angel equals 100,000 weapons.  Peace Angels represent "the holding of possibility," and now stand tall in Los Angeles, Lower Manhattan, and the Ukraine.  César Lopez of Colombia makes guitars which he calls "escopteras" out of AK47 rifles and plays them on stage.  He gives them to inner city groups such as Afro Reggae of Rio de Janiero in his consciousness-raising efforts.  Pedro Reyes of Culiacan, a city with one of the highest murder rates in Mexico, has transformed guns not only into shovels but also, along with other musicians, into 50 musical instruments.  They first played them to "Bullet in the Head" by Rage Against the Machine.  Reyes says, "Guns cause people to disappear from public spaces, but music brings them back."  In the Peace Art Project, Sasha Constable, the great-great-great graddaughter of the English master John Constable, has worked with art students at the Royal University of Fine Arts in Phonm Penh where guns decommissioned from Cambodia's civil war have been turned into amazing sculptures including an elephant, a peacock, and a skeleton man.  "It's devastating material to work with," she admits, knowing that men, women and children were slaughtered with the medium itself.  Using bullets and weapon parts, Al Farrow makes extraordinarily detailed reliquaries, such as temples, cathedrals and mosques.  His work makes us think.  All of these artists and artisans make us think.  "If the weapon that was designed to kill, if its use can be changed, then why can't people change, too?" asks César Lopez, and rightly so.  Perhaps we still can, as Evola-Smidt hopes, "Remember our greatness."    UN'AMERICANA A VENEZIA

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IN QUESTI ANNI ABBIAMO CORSO COSÌ VELOCEMENTE CHE DOBBIAMO ORA FERMARCI PERCHÈ LA NOSTRA ANIMA POSSA RAGGIUNGERCI

(Michael Ende)

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A chi può procedere malgrado gli enigmi, si apre una via. Sottomettiti agli enigmi e a ciò che è assolutamente incomprensibile. Ci sono ponti da capogiro, sospesi su abissi di perenne profondità. Ma tu segui gli enigmi.

(Carl Gustav Jung)