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In questi anni abbiamo corso così velocemente che dobbiamo ora fermarci perché la nostra anima possa raggiungerci. (Michael Ende) ---- A chi può procedere malgrado gli enigmi, si apre una via. Sottomettiti agli enigmi e a ciò che è assolutamente incomprensibile. Ci sono ponti da capogiro. Sospesi su abissi di perenne profondità. Ma tu segui gli enigmi. (Carl Gustav Jung)

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352. EVA CASSIDY, UNASSUMING QUEEN OF COVER by un'Americana a Venezia

Last night while I was searching for a choice version of "Who Knows Where the Time Goes," a pop folk standard by Fairport Convention which was originally sung by the band's own Sandy Denny who wrote the lyrics, a song later made famous by the great Judy Collins, I kept bumping YouTube comments mentioning a singer named Eva Cassidy.  How great it would be, wrote someone, if Sandy and Eva were still working.  Sandy Denny was British.  I assumed that Eva Cassidy was British as well.  I'd never heard of her.  Curious, I went and listened to Eva's own rendition of the song and discovered, to my great surprise, that Eva was American, born in Washington D.C.  She is virtually unknown in the U.S.A.  Her short but fruitful life ended in 1996 at the age of 33, but today her voice is practically worshipped by thousands of mainly British fans who first heard her posthumously, starting with Eva's version of "Over the Rainbow" broadcast over BBC Radio 2.  Soon after that, her posthumous album Songbird (1998) climbed the charts in Britain.  The New York Times then took notice and wrote about Eva's "silken soprano voice with a wide and seemingly effortless range, unerring pitch and a gift for phrasing that at times was heart-stoppingly eloquent."  Figure skaters brought Eva's covers to fore, starting with Sting's "Fields of Gold" to which Michelle Kwan competed at the 2002 Winter Olympics.  Eva's voice has also appeared posthumously in film and on American TV.  Both the BBC and America's ABC have dedicated brief documentaries to her in response to her posthumous success.  Eva Cassidy was a timid, earthy queen of soul, blues, jazz, folk, gospel, and pop music covers who accompanied herself on acoustic guitar.  She played in a few local bands and was indeed recognized in the Greater Washington area where she won prizes, had a following, and began recording, thanks to studio engineer Chris Biondo who presented a tape of Eva's voice to Chuck Brown, the "Godfather of go-go."  Chuck was "blown away," as were fellow musicians.  In fact, those studio executives who heard Eva's voice were impressed.  But they didn't know how to market her, which made all the difference.  Blue Note later regretted not having signed her.  Although an attractive blond, Eva's style was light years away from that of pop stars like Britney Spears.  As someone remarked, "Eva was always dressed for a hike."  The plain truth was, Eva was a dedicated singer, not a showgirl.  Chuck Brown said, as he and Eva began collaborating at Washington's Blues Alley, that this young white girl was not only inspiring but she was also teaching him to sing jazz.  Said The Washington Post, "She could sing anything--folk, blues, pop, jazz, R&B, gospel--and make it sound like it was the only music that mattered."  Lyrics were fundamental in Eva's choice of covers.  Her own favorite was "Oh, Had I a Golden Thread" by Pete Seeger.  She insisted it appear on the last album she actively contributed to, Eva by Heart.  Eva's greatest supporters were probably her German-born mom, a horticulturist, and her multi-talented dad who taught her to play the guitar when she was 9.  As a child, Eva was artistic as well as musically inclined.  Having started her singing career at the age of 11 in a local group called Easy Street, Eva packed all her talents into 22 years of
performing.  In 2001, the successful book Songbird, Eva Cassidy: Her Story By Those Who Knew Her was published in Britain.  In 2007 plans began forming to produce a film.  Eva's parents suggested that lookalike Kirsten Dunst play their daughter.  So far, no film.  But people like me and you still stumble upon Eva Cassidy.  We have to wonder how many other mega-talented artists will remain virtually unknown.  Does fame today depend mostly on "marketability"?  Does fame even matter?  All that matters in the end, I suspect, is authenticity and intestinal fortitude, like Eva's.  Her last public performance was given at Blues Alley under the influence of morphine due to the pain of terminal melanoma.  That evening she sang Louis Armstrong's "What a Wonderful World," dedicating it to her parents.  Six weeks later Eva took her last breath.  Better known today than when she was alive, Eva Cassidy is still performing covers at YouTube, and likely, too, she is improvising flawlessly, as usual, in a choir of angels somewhere over the rainbow.  By UN’AMERICANA A VENEZIA

Vedi: SPEAKING THE LANGUAGE OF ANGELS di UN'AMERICANA A VENEZIA di questa settimana (Tutti i brani – clikka qui)    

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IN QUESTI ANNI ABBIAMO CORSO COSÌ VELOCEMENTE CHE DOBBIAMO ORA FERMARCI PERCHÈ LA NOSTRA ANIMA POSSA RAGGIUNGERCI

(Michael Ende)

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A chi può procedere malgrado gli enigmi, si apre una via. Sottomettiti agli enigmi e a ciò che è assolutamente incomprensibile. Ci sono ponti da capogiro, sospesi su abissi di perenne profondità. Ma tu segui gli enigmi.

(Carl Gustav Jung)